Harry Potter and Rowling’s Story Soundscape

hogwarts_teach_us_something_please_by_albus119-d57sgo9Recently I discussed how learning styles match writing styles, and since then I’ve been more alert to writers’ use of the senses. As I read I ask myself, does the author linger with visuals, jump ahead into action, or take advantage of every sound? Which element is predominant? Inspired by Claire Saag’s guest post for StoryForge, I picked up Harry Potter and the Sorcerer’s Stone.

You know what I discovered? Sounds. Everywhere.

If you can, recall the scene where Harry first meets Hagrid. Boom, crash, smash! Sounds bring the chapter to life. When Rowling isn’t describing the howling wind or sizzling sausages, she plays her characters vocal chords like musical instruments. Continue reading

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